Malcolm Le Grice Movies

A video work based on video8 and hi8 material shot over six years. Chronos is the Titian – the time god who rules the universe – the flux...

Originally shot as part of Finnegan’s Chin, this sequence is re-edited as a portrait of performer Jack Murray. It continues the fascination of...

An impromptu portrait of Jonas Mekas shot at the Serpentine Gallery, London on the occasion of a celebration of his 90th birthday. All made in a...

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the...

The travelogue footage that appears here – the landscape rushing by, fragments of cityscapes, figures in cafes, forests, and beaches – is...

[Originally] six virtual screens matted into three Blu-ray projections. First exhibited at the Centre Multimedia Gantner in 2011, then on an...

A simple event becomes rhythmically complex through changes of speed and multiple superimposition. The title refers to the inevitable inclusion of...

Shot with two 8mm cameras then projected side by side accompanied by an audio tape of "prepared piano".

A film made with found newsreel footage combined with sequences of a flashing light bulb. It is projected with a real flashing bulb hanging in front...

When I reviewed the video material it reminded me of a theatre performance which I recalled as “A Lecture to an Academy”, given by Tutte...

Every cheap visual effect in the editing package and a sound track made with free software from a corn-flakes packet.

Directed by Malcolm Le Grice. "It nears the end of the political paranoid works using found military documentary images. It explores a complex form...

Loops. "A four screen film projection onto four vertically placed screens, which span the gallery space from floor to ceiling. The wall surface is...

A person walks backwards and forwards across two white screens casting a shadow, later his actual shadow is joined by pre-filmed shadows performing...

This multi-image work is based on Le Grice's longer, color-field film-loop installation Joseph’s Coat (1973).

A one-off performance, never repeated but led to Horror Film 1.

Self Portrait looks for an approach to a specific relationship between the duration of a work and material conditions in the projection as did...

Dark Trees starts with a view from a window in silhouette through which one sees a garden, tall trees, rooftops and the sea. This scene orientates...

‘Critical Moment One’ was an un-planned recording of a one-year old boy exploring shells and sand on a beach. Though the boy was my own...

A double projection of images of lapping water and the Battersea Power Station all transformed by negative positive superimposition creating a moving...