Malcolm Le Grice Movies

"My experience of Monet’s large-scale panoramic paintings of his water lily garden when I was about 14 years old became a crucial artistic...

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own...

Film performance, using a back projection screen as well as several projection sources, including a red and green source close together (requires 3D...

Emily - Third Party Speculation is the second of a ‘domestic trilogy’ exploring the relationship between the restricted camera viewpoint...

Osama Bin Laden – Britain and the USA in Iraq as through television reportage – camera only inches from the screen

A nostalgic exploration, comprising fragments of reworked 9.5mm home movie footage. The deterioration of the original film, like memories,...

First titled Jazz Punk, this work is based on a series of drawings I made over a number of years of heads inspired in part by punk styles. These were...

Film shadow performance. "First presented in 1971 using three 16mm projectors each with a short loop of changing colour. Projected onto the same...

This film was made by punching circular holes into fully opaque film stock and laying discs of colour film into some of the punched holes. Only the...

As the title indicates this is a deliberately academic work, conceived in much the same way that a composer might make a 'study'. It is not about a...

A white screen marked only by a scratch running across clear celluloid activates an intense perception of projection time. A double-projection work.

This film is the beginning of an examination of the perceptual and conceptual structures which can be dealt with using pure colour sequences in loop...

Double projection. No images, only colour, first changing slowly in spectrum order, yellow, or red, purple, blue, green, yellow.. and in other...

Four simple changing colour loops are projected continuously into the corners of a gallery space - a form of site specific film sculpture. film-loop...

Digital Still Life was originally made for projection directly from an Atari computer. The same computer programme defines the image sequence, the...

A digital manipulation exploiting the transcoding ‘mosaic’ of video shot on a train journey from Berlin to southern Germany with Mark...

Blind White Duration is a film concerned with constructing an experience from limited perceptions. The viewer is introduced to a limited range of...

The first of these is the simple domestic task of washing dishes, and the second is the aesthetic task of filming the first task. I, the filmmaker,...

Several well-known and pioneering abstract filmmakers discuss the history of non-objective cinema, the works of those that came before them and their...

Colour - Water –Rain – not a water colour – bougainvillea in extreme close-up – touching the lens – swimming pool below...